"The Wild"

Features, Shorts, Live-Action and Direct-To-Video
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Meg
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Post by Meg »

[/quote]Seriously, I do like the spoof on Narnia's poster.

I must be the only one here who doesn't think it looks like Aslan! GAH!
Zammit
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Post by Zammit »

Spaz, when you were animating dinosaurs, did it help you to make them scary by making scary dinosaur noises? Kinda like SCREEEEE!!! while waving your little arms in front of you?
spaz
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Post by spaz »

next time i see you on Apr 11 Zammit, i'm going to wave YOU around in the air. then let air.
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askmike1
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Post by askmike1 »

Just to compare, here are Disney's various Lion posters...
Image
-Michael
[url=http://www.mainstreetword.com]MSW[/url]
Meg
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Post by Meg »

I don't know if it's just me, but I can't see them.
Zammit
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Post by Zammit »

spaz wrote:next time i see you on Apr 11 Zammit, i'm going to wave YOU around in the air. then let air.
SCREEEEE!!
Meg
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Post by Meg »

Okay, I can see the pics now.

Pretty funny, I must say.
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Post by spaz »

you forgot about "Clarence The Cross Eyed Lion". Disney live action around 1973-4
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Ben
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Post by Ben »

Wasn't a Disney flick, though very much up their alley, as it were.

It was an MGM picture.
spaz
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Post by spaz »

crap. sorry about that.
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Ben
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Post by Ben »

Hey, no prob!

Nice to see someone else rememering Clarence, at least!
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9 Ball
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Post by 9 Ball »

The image that they used in the poster is really old. Looks about 2004 vintage, wouldn't you agree Spaz? Here's some current stuff from the trailer.

http://www.canmag.com/news/4/3/3380
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Ben
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Post by Ben »

Hey you guys...the trailer makes NYC look fairly unpopulated.

That was a problem I had with London and France in Valiant. I know the scene looks to take place at night, but what you say on this?

And how were those ads in Times Square placed? I notice ABC gets a pretty prominent placing! ;)
Meg
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Post by Meg »

So how many of you guys are working on this?
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Post by spaz »

gad. yeah , i know , i know. the truth is about the NY city population was, our film was constantly under the guise of a digital militia called " THE COMPLEXITY POLICE". yes, ladies and gentleman nothing short of book burning this group would "identify" complexities in shots and put into question whether or not they were reaaaaalllllllly needed; and that any savings by making said compromise could be attrituted to other shots. get it. here's the "rub" as they say. this process happens on all films. they just don't admit it. these are tough decisions. sometimes good sometimes bad. regardless, i should be bald from this whole process..... oh wait... i AM bald.
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