
http://spinoff.comicbookresources.com/2 ... n-stories/
and says these further down ...This quick-arriving sequel does little to dispel the generic aftertaste of its 2012 predecessor and once again has me pining for the giddy heights of Sam Raimi's original Spider-Man trilogy.
But the action is harmed by the awkward, rushed story that surrounds it, which often feels like it's aimed at 5-year-olds.
... especially when it comes to Foxx's character, who never once says anything that a grown-up would say.
This one spends a lot of time setting up future sequels, but, at this stage, I couldn't be less interested.
Buzz Bumble wrote:especially when it comes to Foxx's character, who never once says anything that a grown-up would say.
Well, at least while the films keep making money. If they're that bad, why don't we simply stop going to them? Sony would stop making them, the rights would revert back to Disney and then they can put Spidey in a new Avengers film and he'll ne a big hit all over again.eddievalient wrote:Well, we all know Sony doesn't want Marvel to get Spider-Man back the same way Fox won't let Marvel have X-Men back, so no matter how terrible the new Spider-Man films are (and the last one was extremely terrible), the series will, unfortunately, continue.
That strategy would have worked about thirty or forty years ago, but we're in the age of rights and warring parent corporations now.Ben wrote:Well, at least while the films keep making money. If they're that bad, why don't we simply stop going to them? Sony would stop making them, the rights would revert back to Disney and then they can put Spidey in a new Avengers film and he'll ne a big hit all over again.
Same as for Fantastic 4 and X-Men, but while these films continue to bring in the returns that make them worthwile to produce, Sony and Fox will keep making them and retain the rights.
It's not about movies anymore, it's about Franchises: As long as they have last year's hit to make next year, every studio thinks they have a "Hit in the box" Brand-Name franchise that the audience can take off the grocery shelf every year like a can of peas, with the "pre-approved quality" of knowing what to expect from the title, and no wondering whether one entry is different from another.Dacey wrote:Yup. I totally buy that Fox is making $100-budget+ tentpoles--at the risk of losing millions if they fail to find an audience--"just to piss Disney off."