Ben wrote: ↑May 18th, 2019, 4:03 am
So it’s becoming clear that Disney+'s originals won’t exactly have the same budgets and status as theatricals. If this was destined for theatres, this casting would have been an Anjelica Huston or Olivia Davis.
As it is, I can’t decide if Disney+ originals will just be Disney Channel-level TV movies (terrible), or somewhere inbetween those and lower budget theatricals. Whichever way, this isn’t looking like it’s going to be a Dumbo-level exclusive worth shelling out for, but rather a Parent Trap or, shudder, a That Darn Cat "so what?" update.
Or the Disney Channel "remake" of Adventures in Babysitting.
At this point, it's possible they may be done with theatrical releases--Except for Mermaid, in keeping with the "90's Big-Four" theory.
They're going "back to formula" cleaning up the old early-10's memos on "Cruella" and "Maleficent 2", and trying to tie up all the loose ends where they started, but it was only the budgets for Will Smith, Tim Burton and Jon Favreau that still GOT them into theaters.
At least, live-action remakes are going to stay in some sort of "zombie-franchise" status at the studios for a while until they can hit upon some new boardroom strategy for marketing old legacy house-titles without the legal pitfalls of sequelizing them.
Of course, there's still Disney treating the theatrical Aladdin and LK releases in marketing as if they're THE pre-destined runaway phenomenon smashes that Beauty&Beast was for coming out during fangirl-week, but it's hard to tell whether that's still their own delusion, or the last brave stage of whistling in the franchise graveyard.
It was certainly more one than the other
BEFORE Dumbo's box office.